A Girl For Two

GENERAL PRODUCER: GUILLERMO RESTREPO

DIRECTOR: PEPE SÁNCHEZ

JR EXECUTIVE PRODUCER.: GERMAN ARAQUE

ASSISTANT DIRECTOR: FELIPE PAZ

ART DIRECTOR: PIEDAD ARANGO

PRODUCTION DIRECTOR: ORLANDO JIMÉNEZ

DIRECTOR OF PHOTOGRAPHY: JAIME GAVILÁN

MUSICAL DIRECTOR: NICOLÁS URIBE

CONCEPTUAL EDITION: MARCELA VÁSQUEZ

SCRIPT U1: CAMILA ANDREA TOVAR SÁNCHEZ

ASSISTANT DIRECTION U1: ÁNGELA LOZANO

ASSISTANT PRODUCTION U1: MARTÍN CARDONA

COORDINATOR OF ART: ANA MARÍA CARVAJAL

COSTUME DESIGNER: SANDRA PATRICIA RODRÍGUEZ

MAKEUP DESIGNER: ADRIANA ORTÍZ

GRAPHIC DESIGN: CLAUDIA RODRÍGUEZ       

DRAMATIC CONTINUITY​: NATALIA SANTA

SCENOGRAPHY: LILIANA CORTÉS

AMBIENCE MANAGER: JOSÉ JAVIER CÁRDENAS / NÉSTOR IBÁÑEZ

MUSICALIZACIÓN: DIEGO PÁEZ

EDITOR: CESAR BARRETO

ORIGINAL OF: ADRIANA LORENZÓN / JUAN MANUEL CÁCERES / LILIANA GUZMÁN / GUILLERMO RESTREPO

WRITTEN BY:  JUAN MANUEL CÁCERES / HÉCTOR ALEJANDRO MONCADA / LILIANA GUZMÁN / JUAN CARLOS TRONCOSO

DURATION: 120 x 60" EST.

Who killed Patricia Soler?

A R.T.I PRODUCTION FOR RCN TV

GENERAL DIRECTOR: RODOLFO HOYOS

DIRECTOR UNIT 2: FELIPE AGUILAR

VICE PRESIDENT OF DEVELOPMENT: HUGO LEON FERRER

PRODUCTION DIRECTOR: ALEJANDRO GARCÍA

GENERAL PRODUCER: MARÍA FERNANDA BATEMAN

PRODUCTION MANAGER: LEONARDO OLARTE

DIRECTOR OF PHOTOGRAPHY: CARLOS ARANGO DE MOTIS

DIRECTOR OF PHOTOGRAPHY UNIT 2: EDWIN CASTELLANOS

ART DIRECTOR: TOMÁS JARAMILLO

AMBIENCE MANAGER: SILVIA ÁLVAREZ

SCENERY MANAGER: JORGE PARRA

DIRECTOR OF COSTUMES: LUZ HELENA CÁRDENAS

MAKEUP MANAGER: JACQUELINE MAYORGA

CONCEPTUAL EDITOR: GABRIEL GONZÁLEZ BALLI

ORIGINAL MUSIC: JOSÉ CARLOS MARÍA & OLIVER CAMAY

DURATION:120 x 60” EST.

    A DREAM CALLED SALSA

    ORIGINAL IDEA: ALEJANDRO TORRES, GUIDO JÁCOME AND FELIPE FORERO

    DIRECTORS: DIEGO MEJÍA, LILO VILAPLANA AND JORGE SANDOVAL

    ASSISTANT DIRECTION : EDGAR BEJARANO, ALEXANDRA ROCHA AND IVÁN PAWLOMINO

    SCRIPT WRITER: ALEJANDRO TORRES, GUIDO JÁCOME, FELIPE FORERO AND PATRICIA RODRÍGUEZ

    GENERAL PRODUCTION: AMPARO LÓPEZ AND DIEGO MEJÍA

    JUNIOR EXECUTIVE PRODUCER: MÓNICA BOTERO

    PRODUCTION MANAGER: RICARDO BUSTOS

    DIRECTOR OF PHOTOGRAPHY: CARLOS ANDRÉS HERNÁNDEZ AND MARCO A. MORALES  

    ART DIRECTOR: DIEGO LÓPEZ  

    EDITION: ISABEL CRISTINA MÉNDEZ AND ÁLVARO CABALLERO

    SCRIPT: LUCÍA SÁNCHEZ AND GIOVANNI MEJÍA  

    COSTUME DESIGNER: SANDRA CAMACHO 

    DIRECTOR OF COSTUMES: ANA MARÍA URIBE

    MAKEUP MANAGER: BLANCA ROMERO

    CHOREOGRAPHEREL MULATO - SWING LATINO

    CASTING: JUAN PABLO RINCÓN G.

    DURATION: 121x60

      Technical File

      DIRECOTOR: CARLOS MORENO AND MONICA BOTERO

      EXECUTIVE PRODUCER: OSCAR GUARIN           

      ART DIRECTOR: EUGENIO GARCIA          

      DIRECTOR OF PHOTOGRAPHY: DIEGO JIMENEZ AND ANDRES GARCIA

      COORDINATOR AND PRODUCER: BLANCA BASTO                   

      ADVANCED PRODUCER: SILVIA ROMAN

      ADVANCED PRODUCER CALI: CLAUDIA DURAN           

      ASSISTANT OF LOCATIONS: CAMILO MARTINEZ       

      HEAD OF PRODUCTION: MARIA DUQUE

      ASSISTANT DIRECTOR: CLAUDIA PEDRAZA AND GIUSSEPE CORDOBA

      FIEDL PRODUCER: DANIEL SAMAN AND FERNANDO BUSTOS

      SCRIPT: ANDRES RIOS/DIANA QUIÑONES AND LUZ ANGELA  HERNÁNDEZ

      ASSISTANT OF GENERAL PRODUCTION 1: CAMILO AGUILERA AND GIOVANNI BURGOS

      ASSISTANT OF GENERAL PRODUCTION 2: CLAUDIA GONZALEZ AND ANTONIO RIVERA

      COORDINATOR: FRANCISCO GUZMAN AND LIZ MORENO

      ART COORDINATOR: CLAUDIA CARVAJAL      

      GRAPHIC DESIGN: CARLOS BERNAL             

      HEAD OF ADVANCED: PAULINA AROCA            

      HEAD OF ATMOSPHERE: MONICA COPETE Y ENRIQUE RODRIGUEZ

      ASSISTANT OF ATMOSPHERE: MIGUEL PAEZ, JURGEN ZAPATA, NELSON RODRIGUEZ Y DARWISH ZAPATA

      MOUNTING ASSISTANT: MANUEL MONROY Y MANUEL FABRA

      COSTUME DESIGN: MANUEL GUERRERO    

      HEAD OF COSTUME: NELSON FORERO

      Synopsis

      Discover the largest project of social construction in Colombia. It is a documentary from real life that shows the development of social innovation, which is not a technical solution to a social problem, or a war against power, it is typically systematical because it must understand social tissue in an integral way. This program is based in entrepreneurship that generates a social change though positive transformation. In each emission we will see initiatives led by Colombians who work for the less fortunate and most vulnerable communities in our country, the labors of social entrepreneurs that are worth highlighting, recognizing and projecting in their effort to build a better future.

      To strengthen the labor of these heroes and their innovative changes, we have a celebrity who will be the intermediary between the TV viewer and the different entrepreneurs, with the objective of reinforcing through their emotions and experience this social adventure, which shows us that in Colombia there are people who are changing the world. Through the participation of a celebrity in Mission Impact the human, solidary and conscientious side of these characters can be shown, providing volunteer timing of 3 to 9 days depending on its availability and the intensity of the entrepreneurship. The goal of Mission Impact is to promote the culture and mindfulness of entrepreneurship and social innovation through a transmedia (TV, Digital) strategy. The Project starts in Colombia and the purpose is to replicate it in the region and around the world.

      Technical File

      DIRECTION: MARIA ALEJANDRA CARDONA EXECUTIVE PRODUCER: CONSUELO GÓNZALES CUÉLLAR SCRIPTWRITER : BORIS AKIBA DE GREIFF INVESTIGATION: RICARDO SIERRA - ALEX CALDAS PRODUCTION CHIEF: JULIANA CÁRDENAS PRODUCTION ASSISTANTS: ANGELICA PICO REALIZATION: LUIS F. GARCÍA - WILMER VELA COSTUME: ALEX ANGULO MAKE UP: PATRICIA MARULANDA ORIGINAL SOUDTRACK: JUAN GABRIEL TURBAY EDITOR CONCEPT: JEISON FRESNEDA EDITOR : EDWIN LOPEZ DURATION: 13 x 60”

      Synopsis

      Maria Alejandra Cardona a 28 years old reporter, will go out and explore the unknown world of teenagers that the parents doesn’t know. She will share extreme moments and will be hand to hand in risk situations The Objective is to live with teenagers and know the world they face daily while they grow up, search for freedom and identity that sink them in dangerous worlds while the society ignores them. Why? Is cociety scared to face them? Is society scared to assume its mistakes? Meanwhile there are parents with uncontrolled kids that don´t know how to solve situations. Maria Alejandra will meet and understand… Sex, drugs, alcohol, violence and risk…The same teenagers that meet Maria Alejandra are the ones who show us how they see their world, how they think, how they feel… and over all to tell us why they act like they act and why they are how they are.

      Synopsis

      From the insides of Habana, in 1925, a black Cinderella is born filled with flavor, talent and transcendence: Daughter of a humble family, she came to this world with the blessing of the Gods and a lucky star that would be with her throughout her life, despite its ups and downs. Her talent, voice and charm transformed her from being a poor, skinny and ugly black girl to the Latin America´s most beloved and successful musical artist around the world. In an age where female singers were classified as tramps, Celia made her way through, beating prejudices and crowning herself as the most important lead singer of the famous orchestra: “La Sonora Matancera”. What seemed to be the way out to a successful career and the solution of poverty and misery, all thanks to music; almost crumble because of a Cuba falling gradually in the strictest military dictatorship, which threatened to bring downCelia´s dreams. Now she not only had to face the whims of an industry run by men but also the harassment, mistreatment and injustice of a system that she never accepted. Feeling her musical momentum vanished and passing a hard time with her family, she receives an invitation, in 1961, to leave the country with the band, without knowing that it would not be temporary but for the rest of her life. Since that trip, Celia would never come back to Cuba again which means leaving her loved ones behind, including her mother suffering from cancer, for exilingin Mexican lands. Beside her at the time was a musician from the band “La Sonora Matancera”, who gradually grew in her heart and became eventually the undisputed love of her life. It was the famous womanizer Pedro Knight, who by the time he showed up in Celia´s life already had 2 recognized daughters and was an unstoppable flirtatious, including among his conquest Celia´s sister, Noris, who by the way stayed behind in Cuba like all of Celia´s close friends and family. However, love is stronger and Celia falls at Pedro´s feet, loving him madly and realizing that close to him she will finds happiness and the strength to conquer the world. Celia´s talent and commitment proved to be stronger than her problems: the Cuban revolution that pursues her, the disagreements with Pedro, her parent’s deaths and the eternal forced exile she had to live with. Her name and charm reached Tito Puente and then Johnny Pacheco, who in those days was bringing together “La Fania All Stars” in the city of New York. A group of the best Salsa musicians in the land, where Celia would be the most valued jewel, and along them, “la Guarachera”, conquered every soul who attended her concerts and every person that bought her records. At the same time, her best friend in Cuba, the talented singer with an extraordinary voice Lola Calvo, now settled in New York after going through a living hell at her country would become Celia´s great rival. Young Lola would be Celia´s negative counterpart, while having practically the same talent and opportunities as Celia, she will show that in order to achieve true greatness is needed more than a great voice. Celia´s love for children was infinite. Around the middle of her life and with the big desire of being a mother we will also observe how that obstacle was established in her soul. Destiny never gave her a child of her own; however, a 12 year old boy from her fans club, with time, will be like her lost son, and would give her the opportunity to love him as a mother, despite Pedro´s jealousy and rejection. Although eventually with time he would accept him. When all obstacles seems defeated, Celia would face her last and hardest challenge, her sister Noris will come from Cuba and will witness the luxurious and successful life that Celia lives. She will suffers envy and also an old and unresolved affection for Pedro will be present. This is the story of Celia Cruz, the not so pretty, black, skinny and shy girl, who never stopped singing and carrying an important message of freedom for her people. She never bought into the fame machine, remained always humble and charismatic, and with commitment achieved everything she aimed in life. With her voice she seduced audiences from different languages and she made her own revolution: to make Salsa music the most important Latino music genre in the world, to be remembered in history as that woman, who far away from her home, honored it and showed us there are no impossible dreams.

      Synopsis

      At Portales de La Cabrera, a flaunty building of the capital city, the polemic financial specialist Pedro Ospina, shows up dead. Everything indicates it was a suicide, but Sara Yunus, journalist and resident of the building, believes it was a murder and will do everything in her power to prove it. During her investigation, Sara will not only find clues that will bring her closer to Pedro´s murderer, but she will also start discovering the terrible secrets that surround the residents of the building. The journalist will have to face death while she fights, at the same time, to keep her husband from having to pay for a crime he didn´t commit.

      The death of a resident of Portales de La Cabrera, will unveil the most horrible secrets hiding behind the walls of the buildings inhabited by the most select people of the city´s high class.
      Sara Yunus, a reporter for El Meridiano newspaper, publishes a story that puts in evidence the imminent bankruptcy of the company called Valores Ospina, not minding that its owner, Pedro Ospina, was the first man to ever steal her heart. Two weeks after unleashing the scandal and when it seems like Pedro is finally going to give Sara the list of those who made illegal investments in the company, he shows up dead in his apartment of the Portales de la Cabrera building. A bullet wound, a gun in his hand and a thread of blood seem to indicate that Ospina committed suicide. Everybody close to Pedro and the residents of Portales de La Cabrera blindly believe in this theory from the Prosecutor´s Office except for Sara who, by intuition and because she knew Pedro really well, suspects that Pedro was murdered and doesn´t plan on resting until she finds the murderer.

      Pedro Ospina dedicated his last years to the collection of money and became a millionaire. He was able to build an emporium and well known personalities invested large amounts of money with him, taking advantage of the high interests and tax free profits that supposed the illegal placements. After the news of its bankruptcy broke out, Valores Ospina is completely drowned and Pedro is immerse in the asphyxiating persecution from creditors who claim even more than what he owes them.

      Now, he has many enemies and more than one would want to see him dead. This way, the residents and employees of Portales de la Cabrera become suspects of the crime. Even if they seem the opposite, they all have something to hide and they can´t allow the eyes of the media to pose on the building and its prestigious inhabitants. Even Sergio Sader, Sara´s future husband, becomes one of the most probable suspects of the crime, not only for jealousy but also because the circumstances show him as one of the many hidden investors. And even though Sara refuses to believe that he is guilty, she has to choose between the love she feels for him and her firm ethical duty to find the truth.

      As Sara´s investigations move forward and the mystery becomes more complicated, the secrets of the residents of Portales de La Cabrera, come out little by little to the light: a woman who cheats on her husband with the husband of her own sister; a wife who hides money from her husband, trying to save in order to leave him some day; an honorable Senator of the Republic who evades taxes and is involved with illegal bands; and a candidate to the Presidency who committed a crime. But at the end, the least expected, the only one who seemed to have the principles of truth and honesty, ends up being Ospina´s murderer. Now, Sara´s life is in danger because the real murderer isn´t willing to let anybody catch him

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